NOW BEACON, NOW SEA.
A New York Times Notable Book of the Year.
When Christopher Sorrentino's mother died in 2017, it marked the end of a journey that had begun eighty years earlier in the South Bronx. Victoria's life took her to the heart of New York's vibrant mid-century downtown artistic scene, to the sedate campus of Stanford University, and finally to Brooklyn—a journey witnessed by a son who watched, helpless, as she grew more and more isolated, distancing herself from everyone and everything she'd ever loved.
In examining the mystery of his mother's life, from her dysfunctional marriage to his heedless father, the writer Gilbert Sorrentino, to her ultimate withdrawal from the world, Christopher excavates his own memories and family folklore in an effort to discover her dreams, understand her disappointments, and peel back the ways in which she seemed forever trapped between two identities: the Puerto Rican girl identified on her birth certificate as Black, and the white woman she had seemingly decided to become. Meanwhile Christopher experiences his own transformation, emerging from under his father's shadow and his mother's thumb to establish his identity as a writer and individual--one who would soon make his own missteps and mistakes.
Unfolding against the captivating backdrop of a vanished New York, a city of cheap bohemian enclaves and a thriving avant-garde--a dangerous, decaying, but liberated and potentially liberating place--Now Beacon, Now Sea is a matchless portrait of the beautiful, painful messiness of life, and the transformative power of even conflicted grief.
"The mother at the heart of Sorrentino's absolutely compelling memoir represents a generation of women whose lives were based on mystery and chance, on reinvention and the fierce reach for survival. But it's the sharpest shards of detail in her existence that make this so readable—this son's talent for capturing the secret life of a woman once his unreachable light, the beacon, and then the diffuse memory of the sea."
— Susan Straight, author of In The Country of Women
"Christopher Sorrentino's memoir is an incredibly moving masterpiece. Now Beacon, Now Sea is a coming of age story set in a place whose time was coming to an end as told through the comforting, confounding, and crushing story of Sorrentino's relationship with his mother. I had to reach back to Nabokov's Speak, Memory to find another memoir as powerful and poignant as this one and to find one that as profoundly explores the art of memory."
— David Treuer, author of The Heartbeat of Wounded Knee
“In memoirs by great novelists any distance between those arts shrinks, imagination and testimony lending prose the clarity of an engraving. Put Christopher Sorrentino's accomplishment in Now Beacon, Now Sea with Roth’s Patrimony, Schwartz’s Leaving Brooklyn, Gornick’s Fierce Attachments, Conroy’s Stop-Time, books in which the necessity of commanding trauma onto the page has galvanized the language from within.”
—Jonathan Lethem, author of Motherless Brooklyn and The Arrest
"As irresistible as it is unflinching, Now Beacon, Now Sea is a family memoir, a literary memoir, an American memoir, a memoir about the nature of identity in our time — and if that means only Christopher Sorrentino could have written it, for all its singularity it does what riveting memoirs do: reveals not only its own secrets but ours as well."
—Steve Erickson, author of Shadowbahn
"Few, if any, are the memoirs of mothers and sons that are as excoriating and unforgettable as Christopher Sorrentino’s Now Beacon, Now Sea. Written equally in wrath and powerfully and patiently illuminated love, Sorrentino‘s account of filial anguish will linger long in memory. What an imperative contribution to the memoir form and to our literature generally. I could not admire this book more."
—Rick Moody, author of The Ice Storm and The Long Accomplishment
"Every genre, every form, has its strengths and weaknesses; the memoir, especially the contemporary American memoir, can fall into a default mode of progress narrative. One of the many accomplishments of Christopher Sorrentino’s extraordinary new book is the way in which it refuses to sentimentalize, even slightly, its brutal material. Now Beacon, Now Sea is impressively astringent art."
—David Shields, author of The Thing About Life Is That One Day You'll Be Dead and The Trouble With Men
"Sagacious and heartbreaking . . . Christopher Sorrentino has written a stunning, gutting memoir about his life as the son of a chronically depressed mother and a celebrated writer father."
—Nell Beram, Shelf Awareness
"Even at its darkest,this rich narrative shines."
--Publishers Weekly
"A sharp, sad tale of bitterness and regret."
—Kirkus
"Acute, intimate and exceedingly fair...each description feels truer than the last. We may have a greater cultural appetite for eulogies, but an autopsy, in looking directly at the cold corpse of a family in all its gruesomeness and mystery, can be just as profound, and in the hands of a writer as restrained and humane as Sorrentino, just as beautiful."
--Eleanor Henderson, The New York Times Book Review
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A New York Times Notable Book of the Year.
When Christopher Sorrentino's mother died in 2017, it marked the end of a journey that had begun eighty years earlier in the South Bronx. Victoria's life took her to the heart of New York's vibrant mid-century downtown artistic scene, to the sedate campus of Stanford University, and finally to Brooklyn—a journey witnessed by a son who watched, helpless, as she grew more and more isolated, distancing herself from everyone and everything she'd ever loved.
In examining the mystery of his mother's life, from her dysfunctional marriage to his heedless father, the writer Gilbert Sorrentino, to her ultimate withdrawal from the world, Christopher excavates his own memories and family folklore in an effort to discover her dreams, understand her disappointments, and peel back the ways in which she seemed forever trapped between two identities: the Puerto Rican girl identified on her birth certificate as Black, and the white woman she had seemingly decided to become. Meanwhile Christopher experiences his own transformation, emerging from under his father's shadow and his mother's thumb to establish his identity as a writer and individual--one who would soon make his own missteps and mistakes.
Unfolding against the captivating backdrop of a vanished New York, a city of cheap bohemian enclaves and a thriving avant-garde--a dangerous, decaying, but liberated and potentially liberating place--Now Beacon, Now Sea is a matchless portrait of the beautiful, painful messiness of life, and the transformative power of even conflicted grief.
"The mother at the heart of Sorrentino's absolutely compelling memoir represents a generation of women whose lives were based on mystery and chance, on reinvention and the fierce reach for survival. But it's the sharpest shards of detail in her existence that make this so readable—this son's talent for capturing the secret life of a woman once his unreachable light, the beacon, and then the diffuse memory of the sea."
— Susan Straight, author of In The Country of Women
"Christopher Sorrentino's memoir is an incredibly moving masterpiece. Now Beacon, Now Sea is a coming of age story set in a place whose time was coming to an end as told through the comforting, confounding, and crushing story of Sorrentino's relationship with his mother. I had to reach back to Nabokov's Speak, Memory to find another memoir as powerful and poignant as this one and to find one that as profoundly explores the art of memory."
— David Treuer, author of The Heartbeat of Wounded Knee
“In memoirs by great novelists any distance between those arts shrinks, imagination and testimony lending prose the clarity of an engraving. Put Christopher Sorrentino's accomplishment in Now Beacon, Now Sea with Roth’s Patrimony, Schwartz’s Leaving Brooklyn, Gornick’s Fierce Attachments, Conroy’s Stop-Time, books in which the necessity of commanding trauma onto the page has galvanized the language from within.”
—Jonathan Lethem, author of Motherless Brooklyn and The Arrest
"As irresistible as it is unflinching, Now Beacon, Now Sea is a family memoir, a literary memoir, an American memoir, a memoir about the nature of identity in our time — and if that means only Christopher Sorrentino could have written it, for all its singularity it does what riveting memoirs do: reveals not only its own secrets but ours as well."
—Steve Erickson, author of Shadowbahn
"Few, if any, are the memoirs of mothers and sons that are as excoriating and unforgettable as Christopher Sorrentino’s Now Beacon, Now Sea. Written equally in wrath and powerfully and patiently illuminated love, Sorrentino‘s account of filial anguish will linger long in memory. What an imperative contribution to the memoir form and to our literature generally. I could not admire this book more."
—Rick Moody, author of The Ice Storm and The Long Accomplishment
"Every genre, every form, has its strengths and weaknesses; the memoir, especially the contemporary American memoir, can fall into a default mode of progress narrative. One of the many accomplishments of Christopher Sorrentino’s extraordinary new book is the way in which it refuses to sentimentalize, even slightly, its brutal material. Now Beacon, Now Sea is impressively astringent art."
—David Shields, author of The Thing About Life Is That One Day You'll Be Dead and The Trouble With Men
"Sagacious and heartbreaking . . . Christopher Sorrentino has written a stunning, gutting memoir about his life as the son of a chronically depressed mother and a celebrated writer father."
—Nell Beram, Shelf Awareness
"Even at its darkest,this rich narrative shines."
--Publishers Weekly
"A sharp, sad tale of bitterness and regret."
—Kirkus
"Acute, intimate and exceedingly fair...each description feels truer than the last. We may have a greater cultural appetite for eulogies, but an autopsy, in looking directly at the cold corpse of a family in all its gruesomeness and mystery, can be just as profound, and in the hands of a writer as restrained and humane as Sorrentino, just as beautiful."
--Eleanor Henderson, The New York Times Book Review
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